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Then there is the escalating deformities of the primary monster that you see across both campaigns, weaved in with family drama, conspiracy, and science gone awry. The sense of dread and despair is so much heavier and well-communicated knowing you're one of the last few people alive in the entire city, instead of just being lost in a mansion in the woods. The writers did such a good job of creating a believable zombie apocalypse scenario with two intertwining characters. The aspect that stood out to me the most in this entry was its scenario writing. You essentially get 4 campaigns depending on the order of characters you play and there's so many tiny changes and adjustments to really force you to adjust your plans on the fly. The presentation is so much more refined and polished and the sheer amount of content on offer is just staggering. Pretty much every good thing I have to say about RE1 you can say about 2 and then some. Resident Evil 2 - The classic example of a Capcom sequel. Playing a different character even sees the puzzles and enemy placements shifted slightly and caused some really stressful scramble moments that I really enjoyed. But the game really shines on repeat playthroughs, where you're comfortable with layouts and can make split decisions for enemies you want to expend ammo on or avoid entirely.

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where key items are found and how to use them. This was how my first run went as I was sussing out the critical path, i.e. You can play cautiously and explore thoroughly to gather resources and make traversing less risky since youвЂ™ll be equipped to take out even mildly dangerous enemies.

What's more incredible is that these systems are tuned to accommodate opposite ends of the pacing spectrum. There are so many simple but genius design choices that make every room, every enemy encounter, nearly every act of play feel tense and exciting.

The key emotional core of this game's success is its tension. Hearing all the old lines that friends have quoted and memed for decades completed the feeling of coming home. I liked them both but DualShock's really stuck with me in a lot of areas, even the infamous Basement theme). The controls feel good, the graphics have aged well, and the sounds are iconic (fun fact: I played one run on the original release and another on the DualShock ed. Resident Evil 1 - It's incredible to me that a developer could set out to create an almost entirely new genre and nail so many aspects on the first attempt.

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(Short note before I get into the individual games: I played all the original versions of 1-3 and then the PC ports of 4-6.) I played the RE1 Remake for PC and could not believe such an old game would hold up so well, so I decided to set out and play all the main line entries I never gave the time and attention to before!

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I almost consider it my first 'real' entry into the series because since playing it I've bought and played pretty much every new entry (including being impatient and getting 8 earlier this year).

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I beat RE4 once on the Wii, Co-Op'd RE5 while visiting friends, and totally skipped RE6 when everyone I know told me it was horrible.ДЄfter not thinking about or playing anything in the series for quite some time, I picked up RE7 because it was more or less a soft reboot and I wanted a full real game to test my PSVR. I grew up with friends and family that were total fanatics of the original games, people able to quote whole scenes off the top of their head and speed run the games in their sleep, but my direct experience was always just seeing disconnected segments while visiting or hanging out. First, I want to briefly describe my prior experience with the RE series.